just another fork-tongued dragon lady (
glass_icarus) wrote2017-02-01 11:28 pm
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belated dancepost
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The other thing I've been doing is only zouk-adjacent, though I definitely think of it as a kind of cross-training, haha. Last summer, I started doing contact improv practices with a few zouk ladies, and it's really opened up my body awareness and sensitivity. Thanks to years of ballroom, I have a long-established habit of falling into learned patterns of movement that I've never quite lost. This is all very well and good for choreography/competition/performance purposes, but it's a problem when I'm dancing zouk in a social setting because zouk is super improvisational in nature. You can't do improv well if your muscle memory operates like an autofill/autocorrect! Contact improv helps to correct this issue because it literally doesn't have any preprogrammed movement; it breaks me out of default muscle memory and thinking ahead and focuses my consciousness on what's happening in the moment. I've said before that A:TLA's "wait and listen" description of earthbending captures the essence of what it is to follow in dance. Contact improv is helping me to achieve that state faster and without having to dance-marathon my way out of my head the way I've done at congress parties before. This, too, is a work in progress for me, but even with the few months of weekly practices we've done, I've noticed a distinct improvement!
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ETA: I mean there are individual steps in swing, but how people use them is what's improvised, heh.
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