America was built on blood and bones.
May. 5th, 2009 11:02 pmSo this was originally going to be a rather pointless "happy Cinco de Mayo!" post, but... no. Can't do that anymore, sorry.
elsane has a post here that discusses Patricia C. Wrede's new book, Thirteenth Child [reviewed by Jo Walton here]. The premise of the book?
This? This makes me shake with fury. America is not a nation that came into being solely out of the shining ideals of democracy and social justice. America was born through genocide and slavery and a set of very skeevy racial/social issues, and it is only because we have been and are still being forged through this darkness that we are where we are today.
An American alt!history without the genocide and slavery is a fascinating premise. An "American" alt!history that is written without the cultural clashes, the appropriation issues, the uneasy racial tensions, is one-dimensional and false. To cut the Africans and the Native Americans- and heck, even the Chinese railroad construction workers; how do you get railroads "creeping across the continent" without them, huh?- out of the picture is to erase the victims of social injustice in a story being sold to a society in which their faces already do not appear, and that? That is never okay.
This is an alternate version of our world which is full of magic, and where America (“Columbia”) was discovered empty of people but full of dangerous animals, many of them magical.
This? This makes me shake with fury. America is not a nation that came into being solely out of the shining ideals of democracy and social justice. America was born through genocide and slavery and a set of very skeevy racial/social issues, and it is only because we have been and are still being forged through this darkness that we are where we are today.
An American alt!history without the genocide and slavery is a fascinating premise. An "American" alt!history that is written without the cultural clashes, the appropriation issues, the uneasy racial tensions, is one-dimensional and false. To cut the Africans and the Native Americans- and heck, even the Chinese railroad construction workers; how do you get railroads "creeping across the continent" without them, huh?- out of the picture is to erase the victims of social injustice in a story being sold to a society in which their faces already do not appear, and that? That is never okay.
And yeah, some of Wrede's stuff was my favorite childhood reading, and now- I don't think I'll be able to reread it without the bad-taste in my mouth.